BPTI 8


 

BPTI 8
BPTI 8 • 2017

 TABLE OF CONTENTS
Introduction  7

The Mise-en-Abyme of the Creative Process in A. S. Byatt’s The Game  17
Isabelle ROBLIN

Time Will Tell: Time and Narrative in A. S. Byatt’s The Virgin in the Garden  33
Alexa ALFER

‘Cell by Cell, Gene by Gene’: The Dialogue with Science in the Quartet  51
Carmen LARA-RALLO

‘[A] Black, Thick, Tenacious Victorian Dust’: Possession as the Archetype and Prototype of Neo-Victorianism  67
Christian GUTLEBEN

Repeating Patterns in A. S. Byatt’s Possession: The Example of Live Stones  81
Émilie WALEZAK

 Self-conscious Poetic Justice in A. S. Byatt’s Possession: A Romance  97
Armelle PAREY

‘They Say that Women Change: ‘Tis so: But You/ Are Ever-Constant in your Changefulness’: (A)chromatic Representation of Female Identity in A. S. Byatt’s Possession, ‘Morpho Eugenia’ and ‘Cold’  111
Alexandra CHEIRA

 ‘Your Stories are Strange, Glancing Things. They Peter out, They Have no Shape’: The Puzzle of A. S. Byatt’s ‘Baglady’  127
Helen E. MUNDLER

Dangerous Mothers and their Children: Writing and Other Secrets in Possession and The Children’s Book  143
Barbara FRANCHI

 Weaving ‘The Seen and the Unseen’: The Aesthetic Realism of The Children’s Book  161
Catherine MARI

A. S. Byatt’s Neo-Baroque in Ragnarok  175
Tomás MONTERREY

List of Contributors 193

Guest Editors 197

General Editors 199

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