David Ten Eyck

Département/Department : Anglais/English
Grade/Position : Enseignant-Chercheur/Teacher-Researcher
Title : Maître de Conférences/Lecturer

Domaines de recherche/Research Interests :
• Littérature Moderne/Modernist Literature
• Poésie du XXe siècle/Twentieth century poetry
• Théorie éditoriale/Editorial theory

Diplômes/Degrees :
• Ph.D., Oxford University, UK (2002)
• M.Phil., Oxford University, UK (1999)
• B.A., Marist College, USA (1997)

Projets en cours/Current Projects : David Ten Eyck travaille actuellement sur une édition critique des Pisan Cantos d’Ezra Pound. Il est co-éditeur de la série Book Practices and Textual Itineraries.

David Ten Eyck is currently co-editing a critical edition of Ezra Pound’s Pisan Cantos. He is co-editor of IDEA’s Book Practices and Textual Itineraries series.

Bureau/Office : A212
Adresse:
UFR Langues et Littératures Etrangères, 3 place Godefroy de Bouillon, BP 3397, 54015 Nancy cedex, France
Téléphone/Phone: +33(0)3 54 50 50 42
Email: david.ten-eyck@univ-nancy2.fr

Publications et communications récentes/Recent Publications and Conference Presentations:
Livres/Books
Monograph/Monographie
Ezra Pound’s Adams Cantos. London: Bloomsbury, 2012.

Edited Collections/Co-direction d’ouvrages collectifs
Nathalie Collé-Bak, Monica Latham and David Ten Eyck, eds. Book Practices & Textual Itineraries 4: Studies in the Editorial and Production Process. Nancy: Presses Universitaires de Nancy – Editions de Lorraine, à paraître novembre 2014.

Nathalie Collé-Bak, Monica Latham and David Ten Eyck, eds. Book Practices & Textual Itineraries 3: Contemporary Textual Aesthetics. Nancy: Presses Universitaires de Nancy – Editions de Lorraine, à paraître 2014.

Nathalie Collé-Bak, Monica Latham and David Ten Eyck, eds. Book Practices & Textual Itineraries 2: Textual Practices in the Digital Age. Nancy: Presses Universitaires de Nancy – Editions de Lorraine, 2014.

Claudine Armand, Vanessa Boullet and David Ten Eyck, eds. Enjeux et positionnements de l’interdisciplinarité / Positioning Interdisciplinarity. Nancy: Presses Universitaires de Nancy – Editions de Lorraine, 2014.

Nathalie Collé-Bak, Monica Latham and David Ten Eyck, eds. Book Practices & Textual Itineraries: Tracing the Contours of Literary Works. Nancy: Presses Universitaires de Nancy, 2011.

Nathalie Collé-Bak, Monica Latham and David Ten Eyck, eds. Les Vies du livre, passées, présentes et à venir / The Lives of the Book, Past, Present and to Come. Nancy: Presses Universitaires de Nancy, 2010.

Nathalie Collé-Bak, Monica Latham and David Ten Eyck, eds. Left Out: Texts and Ur-Texts. Nancy: Presses Universitaires de Nancy, 2009.

Revues internationales et ouvrages internationaux avec comité de lecture/International Peer-reviewed Book Chapters and Journal Articles
Ronald Bush and David Ten Eyck. “A Critical Edition of Ezra Pound’s Pisan Cantos: Problems and Solutions”. Textual Cultures 8.2, 2013.

“Ezra Pound and Romance Languages”, in Ezra Pound in Context, ed. Ira Nadel (Cambridge: Cambridge University Press, 2010). 43-53.

Revues nationales et ouvrages nationaux avec comité de lecture/National Peer-reviewed Book Chapters and Journal Articles
“The Modernist Poetics of H.D.’s Trilogy and Ezra Pound’s Pisan Cantos : A Comparative Study”, dans H.D. and Modernity. Ed. Hélène Aji. Nanterre: Presses de Paris Ouest, à paraître 2014.

“Canto 67”, dans Readings in The Cantos: Volume 1, Cantos 1-71. Ed. Richard Parker. New Orleans : University of New Orleans Press, à paraître 2014.

“La marginalisation du poète et la fragmentation du discours poétique dans Les Rêves lyriques de John Berryman” dans Portrait de l’Artiste en Saltimbanque. Ed. Sylvie Grimm-Hagen. Nancy: Presses Universitaires de Nancy – Editions de Lorraine, 2014.

“Evaluating the Status of Ezra Pound’s Selected Cantos”, dans Selected Poems from Modernism to Now, eds. Hélène Aji and Jennifer Kilgore. Newcastle-Upon-Tyne: Cambridge Scholars Press, 2013. 23-40.

Nathalie Collé-Bak, Monica Latham and David Ten Eyck. “Introduction”, in Book Practices & Textual Itineraries: Tracing the Contours of Literary Works. (Nancy: Presses Universitaires de Nancy, 2011). 7-18.

“Towards a Critical Edition of Ezra Pound’s Pisan Cantos: Text, Ur-Texts and the Problem of Final Authorial Intentions” in Left Out : Texts and Ur-Texts. Eds. Nathalie Collé-Bak, Monica Latham and David Ten Eyck. (Nancy: Presses Universitaires de Nancy, 2009). 103-129.

“A ‘Fine Artful Disorder’: Linguistic Indeterminacy and Artistic Creation in Finnegans Wake”, in Le Désordre, Eds. Henry Daniels and Myriam Pereiro. (Nancy: AMAES, 2008). 109-124.

Book Reviews/Recensions
Body Sweats : The Uncensored Writings of Elsa von Freytag-Loringhoven”, Cercles 2013.<http://www.cercles.com/review/r64/Gammel.html&gt;.

Conférencier invité/Invited Talks
“« Les Muses sont les filles de la Mémoire » :  Représentations du passé et fragmentation textuelle dans la poésie moderniste anglo-saxonne”. Memory and Modernism. Toulouse, France. March 2013.

“Poetic and Legal Authority in Ezra Pound’s Adams Cantos”, Oxford University Graduate Studies Seminars. St. John’s College, Oxford. 20 January 2010.

“Reading Ezra Pound’s Canto 67”, Ezra Pound Reading Group. University of London, 15 January 2010.

‘The Lives of the Book’: Contemporary Book Studies and the Evolution of the Reading Public (Conclusions from an international conference held at Nancy-Université, 20-21 June 2008). “Published Words, Public Pages: a Nordic conference on International Print Culture”, Copenhagen, Denmark, 9-12 September 2008. Joint presentation with Nathalie Collé-Bak, Nancy-Université.

Communications/Papers Delivered
“Editorial Communities and the Study of Modernism”. Modernist Communities. Paris, France. (April 2014).

“The Modernist Poetics of H.D.’s Trilogy and Ezra Pound’s Pisan Cantos : A Comparative Study”. H.D. and Modernity. Ecole Normale Supérieur. Paris, France. (December 2013).

‘ “A Progruss on the Earlier Ones” ? Cantos LII-LXXI and the Evolution of Ezra Pound’s Poetic Idiom ’. 25th International Ezra Pound Conference, Dublin, Irlande. (June 2013).

“The Naming of Things and the Understanding of the Past in Contemporary British Poetry”. Congrès de la SAES (atelier “Poetry and Poets”). Dijon, France. (May 2013).

“ Ezra Pound’s Tours of Spain and Southern France and his Dialogue with Imagism”. International Imagism Conference. Les Saintes-Maries-de-la-Mer, France. (June 2012).

“Les difficultés posées par des manuscrits pour les éditions de textes modernistes : le cas des Pisan Cantos d’Ezra Pound”. Congrès de la SAES (atelier « Manuscrits »). Limoges, France. (May 2012).

“La marginalisation du poète et la fragmentation du discours poétique dans 77 Dream Songs de John Berryman”. Le Poète-Saltimbanque. Université de Lorraine, Nancy, France. (January 2012).

“The New Edition of the Pisan Cantos: An Introduction” (joint presentation with Ronald Bush, Oxford University). 24th International Ezra Pound Conference, London, UK. (July 2011).

“‘Then the fun begins and the aspirins dwindle’: Editing Pound’s Pisan Cantos” (joint presentation with Ronald Bush, Oxford University). Works in Progress, Conference on Textual Studies, De Montfort University, Leicester, England. (July 2010).

“‘Beyond Civic Order : l’AMOR’ : Law and Love in Pound’s Paradise”. 23rd International Ezra Pound Conference, Rome, Italy. (July 2009).

“Civil Power and the Lyric Voice in Geoffrey Hill’s Later Poetry”. International Conference, “The Public/Private Divide in Modern British Poetry”, Sorbonne University, Paris, France. (June 2008).

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